aesthetics in books

Human space

Human space is an English translation of one of the most comprehensive studies of space as we experience it. Since it was published in Germany in 1963, Bollnow’s text has become a key reading in architecture, anthropology, and philosophy. In 2004 the German edition was issued in its tenth impression. The book is serious academic research and something more – showing a great sensitivity to the near and the everyday. The text is enlivened and illustrated with many quotations, principally from German and English literature. Our edition is translated by Christine Shuttleworth and has an introduction by Joseph Kohlmaier, who places the work in its context of philosophical and architectural discussion.

Cover of Human space

At ...: writing, mainly about art, for the London Review of Books

For over ten years Peter Campbell has reviewed art exhibitions for the London Review of Books. His writing is distinctive: often closely descriptive, always inquisitive about technique, it is the product of an independent mind and eye. Easy evaluations are resisted: we are invited to consider the work on show in its present place – ‘at’ the museum or gallery to which the critic has travelled on our behalf. This generous selection of reviews covers a wide range of subjects, from Bellini and Titian to Lucian Freud and Louise Bourgeois, from Hawksmoor to Libeskind. Blockbusting shows are noticed, but so too are exhibitions of unfashionable artists, of photographers and applied artists. Reviews of buildings and pieces on the everyday urban scene add another dimension to this book. Campbell is a typographer and book designer, and is also the draftsman of the London Review’s covers. His writing is of a piece with these accomplishments.

£20.00
Cover of At ...

aesthetics in the journal

At ... arrived

We have received copies of the next book, Peter Campbell’s At …. This goes on sale officially at the end of this month. At … is a collection of the author’s columns about art, applied art, buildings, townscape, nature, and more, written for the London Review of Books. Campbell is a typographer and book designer, and illustrator, as well as now someone who writes for publication, and his work – the design, drawing, and writing – fits well with our idea of what aesthetics might be and do. The form of our book tries to live up to the standard of its text: accessible, humane, serviceable, well-made. Printed by Die Keure in Bruges, the binding is by Binderij Hexspoor and uses their Otabind process.

Vertigo: Collecting W.G. Sebald

Terry Pitts’s blog about these books: interesting, and not just for the Sebald content.

A visual field

An article by Juliet Fleming on ‘How to look at a printed flower’ Word & Image, vol. 22, no. 2, 2006) throws surprising light on a usually unregarded element of the typographic armoury. Fleming works her way from early appearances of flowers in English printing (Henry Denham in the 1560s), via the aesthetic theory of Immanuel Kant (‘flowers are free natural beauties’) and the printed floral wallpaper that was contemporary with Kant, via ‘arabesques’ and the pattern-making of Islamic art, to the suggestion that these flowers and arabesques achieved their effects just through this exoticism that ‘allowed them to appear to presuppose no concept, with a technology that transformed copying into standardised reproduction, and thus took it out of the force field of imitation’.