To coincide with the launch of Christopher Burke’s new book, we have put a new jacket on the remaining copies of his first book, Paul Renner. This allows us to give its revised price (on the back), and to change the design. The picture of Renner on the old jacket was frequently misunderstood, and we have replaced it with a relatively uncontentious image. The new colour is perhaps more suited to this dignified and upstanding Prussian.

There has been much discussion in recent years about the typeface Helvetica, prompted by the book made by “Lars Müller“:http://www.lars-mueller-publishers.com/e/katalog/ausgaben/set.php?kategorie=Design and now a film by Gary Hustwit. In this connection, Erik Spiekermann has been active. Much of Erik’s work has been a wonderful effort in surpassing the unthinking, formulaic and bureaucratic approach that often entails the use of Helvetica. In 1991 Erik brought out his typeface Meta. With the great success of Meta, it came to be some sort of alternative to Helvetica: more subtle and humane than the essentially regularized-industrial forms of Helvetica. The tag ‘the Helvetica of the 1990s’ has become attached to Meta, and has sometimes been attributed to Robin Kinross.

We publish an interview with Christopher Burke, conducted and introduced by Andreu Balius and Juan J. Arrausi, graphic designers in Barcelona. This is the original English text of the interview published in Spanish in the magazine GRRR (no.8, 2001). The discussion opens with a consideration of the work of Paul Renner, and especially his typeface Futura, then moves on to Christopher Burke’s own work as a type designer.

Christopher Burke, author of Paul Renner, now residing in Barcelona, has established a website, principally for his foundry Hibernia Type.